American Renaissance – Volumes 1, 2 & 3
Declassified $26.95
- Publisher: ROUSTABOUT Productions & CULT STREET MEDIA, later
- acquired by Manhattan Book Group
- Editor: Nick Farraway, Jared Maxwell Smythe
- Edition: Volume 1, 2, & 3 of possible 7
- Available in: Ebook, Print
- Category: Literary Memoir
- Publish release date: Originally scheduled for April 19, 2023, but blocked by DC Court of Appeals on grounds of National Security.
- Redacted CONFIDENTIAL
- In late 2017, a FOIA petition filed during the discovery proceeding of a closed investigation unearthed an unexpected memoir previously considered a matter of national security. For reasons unknown, the manuscript of the recently declassified memoir had once been included, then redacted, from the 9/11 Commission Report. Or, the official Final Report of the National Commission on the Terrorist Attacks Upon the United States.
Albeit known to have come from a covert special operative once working for US intelligence services in the aftermath of the First Gulf War, the memoir is of dubious provenance and credibility. Yet it appears to be the first glimpse at a larger set of manuscripts voluminous in scope, and which detail the existence and ideology of a charismatic figure and mysterious movement that began to flourish in the early to mid-1990s, before its systematic destruction and abolishment from the historical record.
The remaining volumes of these writings, currently filed with the DIA in the form of cable documents, remain classified but are expected to be released to the public after proper government inspection. Were it not for the widely publicized seizure of Top Secret compartmentalized documents recently scrutinized by the media and found to be illegally dispersed and hidden in private residences of former presidents and vice presidents, it is highly likely that this monumental discovery of such a sinister and controversial targeted assassination of an expatriate American artist living in France would ever have been made known the public. Yet, it is the unneeded secrecy surrounding the publication of this recent discovery that is drawing unusual skepticism. For the nature of witness accounts about the vanished artist leader, and true historical events that occurred nearly 10 years prior to the attacks of 2001, places the author of these memoirs as a covert operative and informant in suspicious circles of government-sponsored domestic terrorism. Accounts that are now beginning to lead the most brave of veteran investigative reporters to investigate decades of previous covert activity surrounding unsanctioned lethal counter-intelligence missions, and their true objectives. Findings which, according to one inside source, have now begun to make even the most rational law enforcement officials question all previous explanations behind why even the attacks of 9/11 happened.
Purportedly, the war in Vietnam was waged against the specter and economic blasphemy of Communism. But even if the sacrilegious nature of the writings in these pages point to the circumstantial evidence of an enemy far more menacing as to veer into the supernatural, and our US Government’s own corresponding internal agenda being so much more evil in scope, the mere hypothesis that now threatens to reveal the true nature and hidden objectives of this decades-long mission is so devastating that it could shake the foundations of Western civilization to the core.
Of all the fact-checkers who began following up on the verified leaks reported in this manuscript, initially in the early 1990s, several have been found to have either mysteriously died or relocated to other countries, and all those capable of being contacted refused to comment on the recent discovery of this memoir. Of the few credentialed and well-respected journalists who were involved in the publishing of facts when the internet first appeared, there is no reporter left alive who first began working on this story. How long could a terrorist attack as complicated as the events of 9/11 take to plan? What were the true reasons for the public’s isolation and secret surveillance that ensued during the two years of death and total distraction caused by the 2020 pandemic, and why was it so important to locate and seize the confidential government records being hidden by the former President at Mar-a-Lago?
These formerly classified and leaked journal excerpts, printed here for the first time in 25 years since the seminal events in Paris first occurred, are currently the only declassified sections of what amounts to 5 separate volumes of government reports by one anonymous, former rogue agent compelled not to let these secrets be taken with him to the grave. The records of this personal testimony span a series of clandestine operations spanning from Europe to the Middle East, Waco, Texas, New York City, and the remote parts of the Virginia countryside as well as Washington, D.C. We can logically infer that the Oklahoma City bombing of 1995 was at the very least a tragic repercussion of the misguided vengeance and consequence of so many secret dealings with links that can even be traced all the way to the prosecution and killing fields of Vietnam. Yet, they have nothing ostensibly to do with the terrorist attacks of 2001.
But do these heinous interlocking government crimes that were being covered up from as far back as the Christmas Bombing of 1972, then point to the sinister coincidence and dangerous menace of an even more diabolical enemy? One which the circumstantial proof leads us to believe is as ancient as the prophecies of Biblical scripture – or was there, in fact, a more sinister, covert reason behind the colloquial naming of “The Christmas Bombing?” [officially called Operation Linebacker II] Who and what was this evil menace that the true reasons for its clandestine dissolution nearly 3 decades later would require such an act of massive destruction as an attack on America’s own soil?
This information release from the government agencies appears to have been facilitated, and finally approved, only under the guise that these personal records of someone who reached the inner sanctum of the American Renaissance be formatted into a literary-style journal. It is left to the reader to consult with their personal conscience of faith in order to draw their own conclusions of whether in essence, the prophecy of art that exists in this testimony is either true or not true. Both as pertain to the relationship of their present-day lives with the history of America itself, as with the accounts of the supernatural contained in these pages.
